
Happy Present Meet
Schubert Lieder Vol.4 for High Voice and Piano
Foreword by Walther Dürr discussing the history of the work’s composition and its transmission, together with a list of sources for each song (Ger/Eng)
With an English translation of the song texts by Richard Wigmore
Editor:Dürr, Walther
Product format:Singing Score, Anthology, Urtext edition
Remarks on the edition:Edition based on the New Schubert Edition
Binding:Paperback
Print run:3rd printing 2025
Pages / Format:LXI, 201 S. - 30,0 x 23,0 cm
Content
Widerspruch, Op.105,1 D 865
Wiegenlied, Op.105,2 D 867
Am Fenster, Op.105,3 D 878
Sehnsucht, Op.105,4 D 879
Heimliches Lieben, Op.106,1 D 922
Das Weinen, Op.106,2 D 926
Vor meiner Wiege, Op.106,3 D 927
An Silvia, Op.106,4 D 891
Über Wildemann, Op.108,1 D 884
Todesmusik, Op.108,2 D 758
Die Erscheinung, Op.108,3 D 229
Widerschein, D 639 (2. Fassung)
Der Blumen Schmerz, Op.post. 173,4 D 731
An den Tod, D 518
Trost im Liede, Op.post. 101,3 D 546
Der blinde Knabe, Op.post. 101,2 D 833
Im Frühling, Op.post. 101,1 D 882
Der Vater mit dem Kind, D 906
Schiffers Scheidelied, D 910
Das Lied im Grünen, Op.post. 115,1 D 917
Frühlingslied, D 919
Eine altschottische Ballade, D 923 (3. Fassung)
Der Wallensteiner Lanzknecht beim Trunk, D 931
Der Kreuzzug, D 932
Des Fischers Liebesglück, D 933
Lebensmut, D 937
Der Winterabend D 938
Herbst, D 945
Schwanengesang, D 957 (Dreizehn Lieder nach Gedichten von Rellstab und Heine):
1. Liebesbotschaft (Rellstab)
2. Kriegers Ahnung (Rellstab)
3. Frühlingssehnscht (Rellstab)
4. Ständchen (Rellstab)
5. Aufenthalt (Rellstab)
6. In der Ferne (Rellstab)
7. Abschied (Rellstab)
8. Der Atlas (Heine)
9. Ihr Bild (Heine)
10. Das Fischermädchen (Heine)
11. Die Stadt (Heine)
12. Am Meer (Heine)
13. Der Doppelgänger (Heine)
Die Taubenpost, D 965 A
Der Graf von Habsburg, D 990
Kaiser Maximilian auf der Martinswand in Tirol, D 990 A
Das Echo, Op.post. 130 D 990 C
Widerschein, D 639 (1. Fassung)
Eine altschottische Ballade, D 923 (2. Fassung)
Walther Dürr , one of the best-known Schubert scholars, has now edited the fourth volume of songs for high, medium and low voices as a continuation of the new Urtext edition of Schubert Lieder. This contains both the last books of lieder which Schubert himself saw into print together with individual lieder. These were printed during Schubert’s lifetime in little-known sources, in periodicals and almanacs, but were not included by him in lieder volumes or published as works with their own opus number, together with lieder listed in the Deutsch catalogue as “undated” (D 990A to D 990C).
They were mostly written between 1826 and 1828.
The best-known settings in this volume are probably the fourteen lieder D 957 and D 965A drawn together as ‘ Schwanengesang ’ to poems by Ludwig Rellstab , Heinrich Heine and “Die Taubenpost ” by Johann Gabriel Seidl ,. As this was Schubert’s last major composition, the collection, posthumously published by Haslinger at the beginning of May 1829, later acquired the name ‘ Schwanengesang ’ , the name traditionally given to an artist’s last work.
저명한 슈베르트 학자 중 한 명인 발터 뒤르(Walther Dürr)는 슈베르트 가곡의 새로운 원전판(Urtext)의 연장선상에서 고음, 중음, 저음을 위한 가곡집 네 번째 권을 편집했습니다. 이 책에는 슈베르트 자신이 직접 출판을 승인한 마지막 가곡집들과 개별 가곡들이 수록되어 있습니다. 이 가곡들은 슈베르트 생전에 잘 알려지지 않은 여러 매체, 잡지, 달력 등에 실렸지만, 그가 가곡집에 포함시키거나 별도의 작품번호를 부여하여 출판하지는 않았습니다. 또한, 독일 가곡 목록에는 "날짜 미상"(D 990A~D 990C)으로 등재된 가곡들도 포함되어 있습니다.
이 곡들은 대부분 1826년에서 1828년 사이에 작곡되었습니다.
이 악보집에서 가장 잘 알려진 곡은 아마도 루트비히 렐슈타프, 하인리히 하이네, 그리고 요한 가브리엘 자이들의 시 "황소 우편(Die Taubenpost)"에 곡을 붙인 14개의 가곡 D 957과 D 965A일 것입니다. 이 곡들은 '백조의 노래(Schwanengesang)'라는 제목으로 묶여 1829년 5월 초 하슬링거 출판사에서 사후에 출간되었으며, 이후 예술가의 마지막 작품에 전통적으로 붙이는 이름인 '백조의 노래'라는 명칭을 얻게 되었습니다.
에디터 Durr, Walther

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