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Schubert Lieder Vol.6 for Low Voice and Piano
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Schubert Lieder Vol.6 for Low Voice and Piano


Based on the Urtext of the “New Schubert Edition”

Newly engraved, clearly presented musical layout

Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)

Includes English translations of lieder texts by Richard Wigmore


Editor:Dürr, Walther

Foreword / Introduction:Prégardien, Christoph / Staier, Andreas / Dürr, Walther

Product format:Singing Score, Anthology, Urtext edition

Remarks on the edition:Edition based on the New Schubert Edition

Binding:Paperback

Print run:1st printing 2012

Pages / Format:XLII, 158 S. - 30,0 x 23,0 cm

Language of the work:German

Languages of the text:German, English


Content

Geleitwort / Prefatory Note

Vorwort

Preface

Liedtexte / Song Texts


Nachtgesang D 119

Librettist:Goethe, Johann Wolfgang von


Trost in Tranen D 120

Librettist:Goethe, Johann Wolfgang von


Ammenlied D 122

Librettist:Lubi, Michael


Sehnsucht D 123

Librettist:Goethe, Johann Wolfgang von


Am See D 124

Librettist:Mayrhofer, Johann


Szene aus "Faust" D 126

Librettist:Goethe, Johann Wolfgang von


Don Gayseros D 93

Librettist:Motte Fouqué, Friedrich de la


Ballade Op.126 D 134

Librettist:Kenner, Josef


Klage um Ali Bey D 496 A

Librettist:Claudius, Matthias


Der Mondabend Op.post. 131,1 D 141

Librettist:Kumpf, Johann Gottfried


Genugsamkeit Op.post. 109,2 D 143

Librettist:Schober, Franz von


Der Sanger Op.post. 117 D 149

Librettist:Goethe, Johann Wolfgang von


Lodas Gespenst D 150

Librettist:Macpherson, Charles


Auf einen Kirchhof D 151

Librettist:Schlechta, Franz von


Minona D 152

Librettist:Bertrand, Friedrich Anton Franz


Als ich sie erroten sah D 153

Librettist:Ehrlich, Bernhard Ambros


Das Bild Op.post. 165,3 D 155

Librettist:Anonymus


Die Erwartung Op.post. 116 D 159

Librettist:Schiller, Friedrich von


Sangers Morgenlied D 163

Librettist:Korner, Theodor


Sangers Morgenlied D 165

Librettist:Korner, Theodor


Amphiaraos D 166

Librettist:Korner, Theodor


Gebet wahrend der Schlacht D 171

Librettist:Korner, Theodor


Das war ich D 174

Librettist:Korner, Theodor


Die Sterne D 176

Librettist:Fellinger, Johann Georg


Vergebliche Liebe Op.post. 173,3 D 177

Librettist:Bernard, Josef Karl


Liebesrausch D 179

Librettist:Korner, Theodor


Sehnsucht der Liebe D 180

Librettist:Korner, Theodor


Anhang (Alternative Fassungen):


Szene aus "Faust" D 126

Librettist:Goethe, Johann Wolfgang von


Der Sanger D 149

Librettist:Goethe, Johann Wolfgang von


Die Erwartung D 159

Librettist:Schiller, Friedrich von


Gebet wahrend der Schlacht D 171

Librettist:Korner, Theodor


Register / Index


Continuing the new Urtext edition of Schubert’s lieder, editor Walther Dürr now presents volume 6, for high, medium and low voice. While volumes 1 to 4 of this series contain mostly lieder that Schubert had published during his lifetime, volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.


The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With “Nachtgesang” (D 119) and “Trost in Tränen” (D120) Schubert turns to the “Strophenlied” in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert, during this period an assistant teacher at his father’s school, orientated himself towards the so-called “Berliner Liederschule”, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.


슈베르트 가곡의 새로운 원전판 시리즈의 일환으로, 편집자 발터 뒤르는 이번에 고음, 중음, 저음을 위한 6권을 선보입니다. 이 시리즈의 1권부터 4권까지는 슈베르트가 생전에 출판한 가곡들이 대부분이지만, 5권부터는 독일 카탈로그 번호 순서대로, 즉 대략적인 연대순으로 나머지 가곡들을 수록하고 있습니다.


이 6권에 수록된 가곡들은 1814년 가을부터 1815년 봄 사이에 작곡되었습니다. 슈베르트는 "밤의 노래"(D 119)와 "눈물의 슬픔"(D 120)을 통해 처음으로 엄밀한 의미의 "연음가" 형식을 시도합니다. 그는 괴테와의 첫 만남 이후 이 형식에 관심을 갖게 되었습니다. 이 시기에 아버지 학교에서 조교로 일했던 슈베르트는 특히 요한 프리드리히 라이하르트의 가곡들을 중심으로 이른바 "베를린 가곡학교"에 심취했습니다. 1815년 초에 이르러 그는 주로 테오도르 쾨르너의 텍스트에서 영감을 얻었지만, 괴테와 쉴러의 시에도 꾸준히 곡을 붙였다.

편곡자 Durr, Walther

작곡가 Schubert,Franz(1797-1828)